The studio is the working centre of the practice, where photography, research, and craft come together through a focused, self-directed process. It is a private working environment dedicated to the development of long-form photographic studies and the production of handcrafted books and editions published as part of the studio’s ongoing work.

​

Within the studio, analogue and digital photographs are carefully edited, prepared, and sequenced alongside ongoing research connected to architectural art, historic interiors, and material culture. Black-and-white images originating on film are developed and printed using traditional methods where appropriate, with attention to tonal quality, material choice, and archival longevity. Selected works may be hand-tinted using historically informed techniques, allowing colour to be reintroduced with care while maintaining the integrity of the original photograph.

​

The studio also functions as a small-scale bindery, where photographic books are designed and assembled by hand. From sequencing and paper selection to binding and finishing, each publication is produced with archival materials and released in limited editions shaped by ongoing photographic projects rather than external commissions.

​

All work within the studio follows a deliberate pace that prioritises quality, consistency, and thoughtful production over volume. The practice remains artist-led and independent, grounded in photography as both documentation and object, with bookmaking serving as a means of presenting and preserving long-term photographic studies.